User:GreekTelepath/Sandbox

Heavenly Yard
The Heavenly Yard, also known as the Second Period, was a realm in the Evillious universe and the second paradise of the gods. After its destruction, the sun god Sickle began cultivating it, turning it into an afterlife for the souls of the Third Period.

History
Following the destruction of the First Period, the gods created the Second Period and began residing in it. After enjoying paradise for a thousand years, the realm was destroyed by "Malice", the surviving 72 gods fled, boarding the Sin ark and travelling the black sea that separated the different worlds. Sometime after BT 528, the sun god Sickle began cultivating the deadened earth, growing golden rice fields and dubbing it the Heavenly Yard. The realm then became an afterlife for the souls of the Third Period, with the souls residing in the Gardens of Champs-Élysées. After the Third Period's destruction during the EC 900s, the souls were pulled down to the ground world due to the Hellish Yard gaining more power.

Configuration and Laws
The Heavenly Yard was separated from other worlds by the black sea surrounding it. Existing above the Third Period, it was also capable of sustaining gods as well as vegetation such as rice. After being cultivated by Sickle, the realm became an afterlife for the human souls of the Third Period, capable of sustaining them for long periods of time. However, the deceased souls of those who forged contracts with the Demons of Sin were barred entry from the Heavenly Yard and were forced to either wander the earth or proceed to the Hellish Yard.

Due to its relationship with the Hellish Yard, both worlds exerted a pull on the souls of the deceased, with the ground world itself creating a metaphysical boundary between them. If the Hellish Yard's pull grew more powerful than that of the Heavenly Yard, then the souls would be pulled down to it. Acts of magic could also be performed within the Heavenly Yard.

Rice Fields
Rice fields located in the Heavenly Yard. The god Sickle cultivated them as a hobby.

Champs-Élysées
A garden area located in the Heavenly Yard. Souls of the deceased gathered and resided there.

Conceptualization and Origin

 * The Heavenly Yard is connected to the event of Heaven in Hieronymus Bosch's The Seven Deadly Sins and the Four Last Things.
 * The name of the Gardens of Champs-Élysées is derived from the French term for "Elysian Fields"; in Greek mythology, the Elysian Fields are the afterlife for virtuous and heroic souls.

Curiosities

 * According to Held, the Second Period ended due to the mixture of good and evil; he similarly disapproved of Sickle not segregating good and evil in the Third Period, especially HERs.

Hellish Yard
The Hellish Yard was a realm in the Evillious universe. After the Third Period's destruction by Punishment, the Hellish Yard started merging with the Third Period as the boundary of the two worlds began to weaken, pulling souls out of the Heavenly Yard.

History
At some point, the Hellish Yard was created and began exerting a pull on the human souls of the Third Period, with the ground world acting as a boundary between the realm and the Heavenly Yard. After the destruction of the Third Period by Punishment in the late EC 900s, the Hellish Yard began merging with the ground world, exerting a greater pull and drawing the souls out of the Heavenly Yard. The human souls then began residing in the Hellish Yard, creating illusions using the memories they created while they were alive. Sometime after, Allen Avadonia visited the Hellish Yard at the behest of Sickle and began reviewing the Third Period's history by meeting the individuals involved with the vessels of sin.

Configuration and Laws
The Hellish Yard was separated from other worlds by the black sea surrounding it. It also existed above the Third Period and was capable of sustaining human souls from the ground world. Due to its relationship with the Heavenly Yard, both worlds exerted a pull on the souls of the deceased, with the ground world itself creating a metaphysical boundary between them. If the Hellish Yard's pull grew more powerful than that of the Heavenly Yard, then the souls would be pulled down to it. After dying, the souls of those who forged contracts with the Demons of Sin were barred entry from the Heavenly Yard and were forced to either wander the earth or proceed to the Hellish Yard.

After the Hellish Yard began merging with the Third Period, the souls residing in it were able to conjure illusions using their memories, with the illusions behaving as physical objects despite the souls themselves being immaterial. It was also possible for the deceased souls to forget some of their memories and suffer from regression in terms of personality and psychological growth. As a result of its merging with the Third Period, distortions in the fabric of space and time were capable of occuring. The Master of the Hellish Yard was also capable of controlling the world and transporting souls to other worlds. Additionally, acts of magic could be performed within the Heavenly Yard.

Third Period
A world that merged with the Hellish Yard. It contained the continents of Bolganio and Maistia and housed the deceased souls pulled down from the Heavenly Yard.

Conceptualization and Origin

 * The Hellish Yard is connected to the event of Hell in Hieronymus Bosch's The Seven Deadly Sins and the Four Last Things.

Graveyard
The Graveyard was a realm in the Evillious universe. Serving as a resting place for the legacy and technology of the Second Period, the world was visited by Allen Avadonia and Hänsel in pursuit of Nemesis Sudou.

History
At some point, Nemesis Sudou traveled to the Graveyard, intending to look for her mother. Some time after, the Master of the Hellish Yard transported Allen Avadonia and Hänsel to the Graveyard for them to meet Nemesis.

Configuration and Laws
The Graveyard existed as a separate realm from the other Periods. As a characteristic of the world, its sky was covered in faintly-glowing bedrock. Due to its nature as the resting place of the legacy of the Heavenly Yard, the Graveyard contained scraps of machinery, tombstones and other structures. The Graveyard was also capable of sustaining at least one tree. Although the Graveyard was normally inaccessible by the souls of the Hellish Yard, the Master of the Hellish Yard was capable of transporting souls to it. Additionally, acts of magic could be performed within the Heavenly Yard.

Machinery Heaps
A wreckage area located in the Graveyard. It contained scraps and the remnants of machinery from the Second Period. It was also located near the clocktower.

Clocktower
A clocktower located in the Graveyard. It had a viewing platform and seemed to be made of the same material as the Black Box. Its hands were also incapable of moving.

Apple Tree
A tree situated at the top of the hill in the Graveyard. It bore blood-colored fruit that was notably redder than the apples that grew in the Third Period.

Conceptualization and Origin

 * The Graveyard is connected to the event of Death in Hieronymus Bosch's The Seven Deadly Sins and the Four Last Things.

Curiosities

 * It is unknown how Banica Conchita gained knowledge of the Graveyard and why she strived to reach it.

Characters
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''Note: This list contains all major recurring characters that appear in the series. For a list of all characters that appear or are mentioned in passing, see the List of Minor Characters in the Clockwork Lullaby Series.''

Conceptualization and Origin

 * The song's title is derived from the Seven Deadly Sins.
 * The number seven appears numerous times throughout the song, with the song's main characters being the seven vessel owners; the song was also uploaded at 7:00, was meant to celebrate mothy's seven-year anniversary, and has the English title "Clockwork Lullaby 7".
 * Instrumentals from the Seven Deadly Sins songs play in the background, such as the violin sounds from The Lunacy of Duke Venomania, the synth keyboard from Evil Food Eater Conchita, the electric guitar from Gift from the Princess who Brought Sleep and the shimasen from The Tailor of Enbizaka.
 * Sound effects from the seven songs are also utilized in the song, such as the clapping from The Daughter of Evil, the gavel sounds from Judgment of Corruption, and the revolver gunshot in The Muzzle of Nemesis.
 * "Utopia" is also mentioned in the song, continuing the trend seen in several of mothy's other songs.
 * The song's lyrics mention the seven sins' original forms in Chrono Story; the PV's lyrics are also accompanied by symbols of the original forms of the vessels of sin.

Curiosities

 * Hänsel and Gretel sing the "lu li la" pattern pattern present in the other songs of the Clockwork Lullaby Series; they are also shown singing the Clockwork Lullaby in Heartbeat Clocktower.
 * In the PV, Nemesis shoots the screen, causing it to crack; similar effects are seen in The Last Revolver and The Muzzle of Nemesis.
 * Nemesis questions if she hears the "cry of the forest", mirroring the lyrics of Chrono Story.
 * Riliane mentions an unstoppable "Evil's Kingdom", alluding to both the album and the Kingdom of Lucifenia.
 * During the song, Gallerian says "Now, let's start this farce of a trial", mirroring the lyrics of Capriccio Farce.

List of Minor Characters in the Evillious Chronicles
This is a list of minor characters that have appeared or are mentioned in passing in the Evillious Chronicles, including in its songs, light novels, manga, or other related media.

Older Brother
An unnamed boy and one of the last few members of humanity during the era he lived in. At some point, he and his sister met an old woman who told them of a magical bluebird that could grant any wish. Packing their car, the two siblings set off. After a long journey, the two of them located the bluebird at a Lucifenian state-run factory. Too timid to go inside, the boy witnessed his sister enter the building.

Seeing her carrying the bluebird in a cage, the boy then saw his sister die shortly after due to the radiation inside the factory. The boy then wished for the bluebird to bring his sister back to life. Seeing her eyes open once again, the bluebird then disappeared. Walking ahead, the two eventually found themselves in front of a vast ocean and decided to rebuild civilization with their own hands. He is represented by the Vocaloid Kagamine Len.

Unknown Patient
An unnamed individual and a known HER. At some point, the girl was born with the HER gene as well as Dissociative Identity Disorder. Over time, she began to attribute her darker nature to one of her split personalities, eventually referring it as if it were a separate person. During her childhood, she was physically abused by her father, although her main personality continued to love him.

At some point, the girl, while visiting her father at the factory, was warned not to press the red switch as it was dangerous. Sometime afterward, her split personality took over, pressing the switch and killing the girl's father. The girl was then admitted into an unknown facility and put under surveillance. In order to treat her condition, she was given Adam and Merry-Go-Round drugs, although her split personality would sometimes take over and refuse to take the medication. A doctor eventually tried to give her an injection, which she refused, repeatedly claiming she wasn't evil. She is represented by the Vocaloid MAYU.

Unknown Factory Worker
An unnamed individual and the father of the unknown patient. During his daughter's childhood, the man physically abused her, causing her nose to bleed on a particular occasion. At some point, he also began working at a factory. During one of his daughter's visits, the girl pressed the switch, killing him and reducing him into an unrecognizable mass of blood and flesh.

Unknown Woman
An elderly woman and one of the last members of civilization during the era she lived in. At some point, she found out about a bluebird that could grant wishes. Sometime afterward, she met two siblings and told them about the bluebird, explaining that it could be used to save the world. The old woman then witnessed the siblings go off on their journey.

Younger Sister
An unnamed girl and one of the last few members of humanity during the era she lived in. At some point, she and her brother met an old woman who told them of a magical bluebird that could grant any wish. Packing their car, the two siblings set off. After a long journey, the two of them located the bluebird at a Lucifenian state-run factory.

With her brother too timid to go inside, the girl then entered the building, successfully trapping the bluebird in a birdcage. She then died shortly after due to the radiation inside the factory, but was subsequently wished back to life by her brother. After the girl woke up, the bluebird then disappeared. Walking ahead, the two eventually found themselves in front of a vast ocean and decided to rebuild civilization with their own hands. She is represented by the Vocaloid Kagamine Rin.

The Daughter of Evil (novel)
The Daughter of Evil is a light novel series that released its first volume on August 10, 2010. The novels are based upon the series of the same name and are primarily illustrated by Ichika.

Conceptualization and Origin

 * The novels mainly serve to expand upon the songs in The Daughter of Evil series.

Curiosities

 * Several of mothy's works related to The Daughter of Evil include the color pattern of yellow, green, red and blue, alluding to the release order of the series' main volumes.

Deadly Sins of Evil
Deadly Sins of Evil is a light novel series that released its first volume on December 22, 2012. The novels are based upon the series of the same name and are primarily illustrated by Ichika.

Conceptualization and Origin

 * The novels mainly serve to expand upon the songs in Deadly Sins of Evil series.

Curiosities

 * Although not actually part of the Deadly Sins of Evil series, Fifth Pierrot has also received its own novel adaption.

Wishlist
Articles I wish existed/would like to write in the near future: