Talk:Adam/@comment-4698889-20150119213231/@comment-3467648-20150216210121

I'm not saying that mothy is contradicting himself or that he is changing the established cjronology. I'm saying that he left a good chunk of the story intentionally sketchy or ambiguous because he wasn't sure which route take for the ending, until now.

That's why The Last Revolver didn't specified a particular date. You perfectly could make it fit either around the Sloth arc or any other period, specially knowing there have been recurring organizations across the timeline, like it was Apocalyse and Neo Apocalypse's case.

Anyway, despite the loose ends we knew there was going to some kind of disaster or "bad end", which would require some kind intervention, either for avoid it or for fix it.

Before we knew about the Punishment, everybody guessed this one would be related to the Evil's Theather. In that scenerio it made sense a song like Kept Waiting for a Response, because it's evident this one was going to be connected with Waiter, serving as ground for a potentially important plot development, especially if this one involved Irregular, who already was implied to be critical with all the messianic hints related to him.

However, with the actual scenerio and Nemesis accomplishing said destruction, the Theather as climax becomes quite pointless, leading to the discard of that potential plot twist. In that case, the best for him as author is avoid any possible contradiction or confusion and trim any misleading song, specially if mothy is planning modify the climax, change the role of Allen, Riliane and the Theather's inhabitants or intends to create multiple routes for the end.

I think that's the reason why KWfaA was removed from the canon storyline. It generated too many expectations for something which in the end wasn't going to be THAT important. I know this wasn't required, as the song itself is quite irrelevant plot-wise. However we also know that mothy can quite cautious, so I can see why he decided remove it.