Board Thread:General Discussion/@comment-6192846-20140612134000/@comment-10608690-20140911075857

1. Meh, what’s the rush with merging their pages? You would also have to go in depth on how exactly are you going to combine the two (I would like to hear this). Why not give MotHellY the same treatment as the other Masters. Has Clockworker’s Doll&MotC, Bancia&MotGY, Irregular&MotHeavenlyY been merged as one? Aside from that, we don’t know when and how exactly did Nemesis become MotHellY, the missing link needed to connect their pages (without it, this could get messy). I say MotHellY's page should be filled with info about the MotHellY song, but no more than that. Same with Nemesis and the booklet information, just how it is exactly stated in the booklet (no adding MotHellY/ indirect info).

Also a few points/questions I would like to mention and hear some opinions owo

2. Yes they are connected. They might turn out not to be the same person (you know Mothy and his plot twists) but they are at least ''related. ''They should both be included in their Character Connections section (Kyle/Gear to Adam style).
 * (Nemesis=MotHellY) Nemesis is quite loyal to her mother, but why wouldn't she give Ma the key she desperately   needs?
 * 
 * Just a note, don't take it seriously unless you want to* All the Masters seem to literally own what they are masters of (not metaphorically). MotGY has her own Graveyard, MotC has her own Court room, MotHeavenlyY has his own Heavenly Yard/Heaven (Sickle-wise), and what about MotHellY? If she's Nemesis then what about the Hellish Yard?
 * In Capriccio Farce, MotHellY's profile is:"The girl that was wearing a mask whom Gallerian Marlon met after his death". It seems that CF is siding on Gallerian's approch on JoC. ''

3. I think it's for the best that his page stay written as how he perceived JoC, delusions or not.

4. Up until now it seems pretty much canon, but Mothy did say it "didn't have any meaning".

5. I agree with Lemon, it could be considered as Trivia.

It's 4 am, what am I doing.

