Board Thread:General Discussion/@comment-6192846-20150326001739/@comment-6192846-20150401184717

Part 2, Chapter 1, Recollection F:


 * The demons dwell in the vessels of sin but that doesn't mean they're only able to be in one vessel necessarily. The narrator proved this through her experiments a hundred years ago.
 * Basically, the Demon of Lust dwells in the vessel of Lust, but it could be moved to another vessel. But they rarely do this voluntarily so the results of her studies have proven that she could forcibly transfer a demon to another vessel via stimulation from magic.
 * However, because this requires a considerable consumption of magic, she didn't intend to do it very often. Humans manipulating higher beings(I think?) like demons isn't so simple.
 * Whiel she hasn't done this herself, it is theoretically possible to put more than one demon in a single vessel.
 * Didn't just have to be demons either. For example it was also possible to keep a human soul and spirits confined in them.
 * And so based on that theory, she created the Clockworker's Doll. In practice, mechanics behind the vessels of sin wasn't much different than the music boxes she made in the Clockworker family.
 * Speaking of vessels where multiple beings dwell, there's the Glass of Conchita. Currently there is one person, "Ney", along with the demon.
 * If so, then Ney's soul was supposed to be hers and was stolen by the demon.
 * Although she considered creating a new music box as a "soul cage" to move her back by force, she wants to avoid recklessly offending the demon.
 * Regardless, she feels entrusting the glass to Lemy was the worst with "Ney" (Gretel) (I THINK?).
 * Then there's the other one of the two in the vessel. When she first had face-to-face dialogue with the demon of the vessel, she was rather surprised.
 * She never thought she'd see "him" again in that kind of form.