Board Thread:General Discussion/@comment-5103797-20121204032247/@comment-6192846-20130130235735

Story of Evil songs get there own section for me. It was what originally got me into the series and they have the best chemistry together. Daughter of Evil provides the background and gives a simple (and somewhat generic) concept and then follows up with Servant of Evil, hitting you hard with an emotional plot twist and then proceeds to take that crack in your heart and ram a six-inch nail through it with Gallerian's hammer with songs like Regret Message, Daughter of White, and Kept Waiting for a Response. Only one that kind of feels disconnected is Handbeat Clocktower, which I consider more of an advertisement then a song in the series since it doesn't really build up or follow up on telling a story and voices its events the least.

Excluding those I love a lot of the songs but I am going to give it a tie between Cappricio Farce and Master of the Graveyard.

Cappricio Farce really did a great job creating an exicting yet eerie tune that had lots of content and dialogue involved while using all the Vocaloids really well. I got to give MOTHY a lot of credit using different tunes and effects to differentiate the two Rin and Lens and make all the different Vocaloid voices sound distinct but rythmically flow. It also brings everything in the story back together and really makes you feel hyped for a grand finale to the series

Master of the Graveyard sounds great and really plays on the dynamic between the Servants and the MotG as well as give an ample description of her character. Compared to most other songs, it gives the most ominous feel and the characters involved sound and act really nasty. I lean more towards villains then heroes in media so that is probably why I am enthralled with it to an extent.